But I digress.
Here it is: My 33 production shots. Since I'm sure your brains are all drained after making your OWN videos, I've included which shots I intended each scene to be as a subtitle. If you'd like to watch the video SANS subtitle, check it out on YouTube here.
Enjoy!
And the Shot List:
| Pan – still subject | 0:54-1:00 |
| Pan – moving subject | 4:02-4:11 |
| Pan – swish pan | 1:43 |
| Long shot | 0:01 |
| Medium shot | 3:22-3:34 |
| Close-up | 2:44 |
| Extreme close-up | 2:47 |
| Cut-in | 3:35 |
| Cut-away | 1:23-1:26 |
| Head-on | 1:04-1:12 |
| Tail-away | 4:58 |
| Tilt | 1:01-1:03 |
| High angle | 1:49-2:19 |
| Flat angle | 4:12-4:38 |
| Low angle | 2:33-2:47 |
| Zoom in | 3:37/4:49 |
| Zoom out | 3:42 |
| Balance | 1:13-1:22 |
| Rule of thirds | 2:20-2:32 |
| Dolly | 1:27-1:42 |
| Truck | 4:39-4:48 |
| Reportorial | 0:24-0:41 |
| Objective perspective | 2:48-3:04 |
| Subjective perspective | 3:05-3:20 |
| Selective focus | 0:42-0:51 |
| Title | 5:03 |
| Matte or effects | 1:34-1:38 |
| Wipe shot | 0:02 |
| Follow focus | 4:49-4:58 |
| One light | 4:12-4:22 |
| Two light | 4:23-4:31 |
| Three light | 4:32-4:38 |
| Sequence – establishing shot, medium shot, close-up, and re-establishing shot | 0:02-0:23 |
HInterland Who's Who can a video have a better start than that? Keep in mind that your Long, medium, close-up sequence should have pauses in between shots. Great script. Again I think you are having too much fun. Where did your shot list end up. It is necessary to have a list of where and when your shots are in the project. Lighting section is well done.
ReplyDeleteI was wondering about those pauses. I wasn't sure how a sequence would be different than just a stream of shots with pauses in between. That being said, I did think the movement was a bit quick in that opening scene.
ReplyDeleteYeah, I definitely didn't do the shot list...I'll get it done and posted by the morning!